8 Part of what has become an issue, other than the desire by most women not to be treated as a sexualised object, is the rise of female audience members for both comics and visual representations of superheros. 7 This is considered catering to the male (heterosexual) gaze, a term coined in 1973 by Laura Mulvey, and is credited to the male filmmaker and the particular target audience of most film genres. Yet, the first introduction to her is the camera panning up and down her body, with the slow chest-height-linger that manages to capture all the tight fitting and revealing components of the costume. She may be strong, literally powerful, acted by an empowered actress and even beating the Bechdel test. The first issue often raised in relation the inherent sexism of female costuming is often connected more to the representations in television and film, and relates to the cinematic treatment of the introduction to the female character. Marvel costume design Hypersexualisation and attracting the male gaze However, I believe, and argue here, that tradition is not enough to justify the continuation of sexist and impractical choices when change could only lead to better art, better story, and a greater engagement by a wider audience. 6 While I may not fully agree with this sentiment with the series of reboots and adaptions the comic book industry is undergoing, I do understand why the very discussion, let alone implementation, of changing a superhero’s costume can become difficult for many people. 5 Some have even argued that the costume is so encoded as part of the persona of the hero that not only is his/her identity no longer complete without it, but if another dons the outfit that superhero persona can be usurped. 4 The costume, that becomes almost a uniform, cannot be separated from that particular superhero as it has become their identity beyond any other factor. 3 Finally, the costume is also often considered the defining trait of the superhero that personality, appearance and even powers may alter with iterations, but the costume tends to remain a stable aspect. For example, the costume is revealed to signal when a character has finally reached the point of either accepting their role as a superhero, or are able to use their powers fully. 2 Costumes also serve the purpose of showcasing character development. 1 They are used not only to create a recognisable identity for a character, but also often function as a disguise to shield an everyday persona. After you've found your favorites, be sure to check out the 60 Best Outdoor Halloween Decorations to Impress the Neighbors.Sexism, Impracticality, and the Hopeful Future of Costuming “Captain Marvel”, by Arkenstellarįundamentally superhero costumes are vital for the industry because they establish iconography and create the brand. And best of all, they're easy to whip up, leaving you lots of time to enjoy other autumn traditions, like hosting a dinner party, carving pumpkins and making wreaths. ![]() Whether you're looking for outfits for the littles, yourself, or the whole clan, we've got incredible ideas-including a few stunning turns on Cruella de Vil-you're going to love. But this year, in between watching scary movies on Netflix, dishing out your favorite Halloween treats and crafting with the kids, why not make your own Disney villain costume?įrom the Maleficent, the very scariest fairy of them all, to the briny deep's absolutely unpleasant Ursula, we've assembled 17 of the snazziest costumes based on the Mouse's most infamous rascals and reprobates. Except, when you get right down to it, who really wants to hurt other people? It's so much better to be a pretend meanie on Halloween with DIY Disney villain costumes! Sure, you could dress up as a princess or a superhero, or one of the Disney good guys. There's something about being bad, the old saying goes, that feels pretty darn good.
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